A documentary and street photographer from Chile, now living on the shores of Kanagawa, Japan. His work is shaped by a deep appreciation with rural landscapes, classical photography, history, and the concept of encapsulated time.
Since graduating from art and film school in 2012, Arturo has immersed himself in storytelling through various disciplines—editing, writing, and cinematography. His passion for visual language led him to pursue a master’s in visual studies and the philosophy of art, where he focused on the works of Ken Domon and Sergio Larraín, discovering how photography transcends both time and cultural boundaries.
His journey in filmmaking took him across Chile and Mexico, where he worked as a Narrative developer and Editor on award-winning documentaries that gained recognition for their unique narrative approach.
In 2017, Arturo moved to Japan to pursue a new photographic project. There, he had the opportunity to collaborate on a project focused on the reconstruction of traditional kimonos from the Heian era, based on historical texts. His role involved documenting and shooting theatrical adaptations that showcased the garments while capturing their cultural significance. This experience not only refined his understanding of Japanese culture but also deepened his love for symbolic storytelling.
Currently, Arturo is working on two personal projects: one documenting the quiet life in Muro-ji, Nara inspired by his mentor Ken Domon, and another exploring the relationship between people and sacred ceremonies, capturing the essence of symbolism and faith.